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Open a larger version of the following image in a popup: Tito Agnoli, Wall Lights / Scones Model 181, 1956
Open a larger version of the following image in a popup: Tito Agnoli, Wall Lights / Scones Model 181, 1956
Open a larger version of the following image in a popup: Tito Agnoli, Wall Lights / Scones Model 181, 1956
Open a larger version of the following image in a popup: Tito Agnoli, Wall Lights / Scones Model 181, 1956
Open a larger version of the following image in a popup: Tito Agnoli, Wall Lights / Scones Model 181, 1956
Open a larger version of the following image in a popup: Tito Agnoli, Wall Lights / Scones Model 181, 1956
Open a larger version of the following image in a popup: Tito Agnoli, Wall Lights / Scones Model 181, 1956
Open a larger version of the following image in a popup: Tito Agnoli, Wall Lights / Scones Model 181, 1956
Open a larger version of the following image in a popup: Tito Agnoli, Wall Lights / Scones Model 181, 1956
Open a larger version of the following image in a popup: Tito Agnoli, Wall Lights / Scones Model 181, 1956
Open a larger version of the following image in a popup: Tito Agnoli, Wall Lights / Scones Model 181, 1956

Tito Agnoli

Wall Lights / Scones Model 181, 1956
Nickel plated steel, white enamelled steel
Width - 5.5cm - 2 inches
Depth - 16cm - 6¼ inches
Length - 19cm - 7½ inches
O-Luce - Italy
£3750 + VAT @20% for UK sales
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A rare and exceptionally well-preserved pair of Model 181 wall lights by Tito Agnoli for O-Luce, dating from 1956. Among Agnoli’s most quietly accomplished designs, the Model 181 is an...
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A rare and exceptionally well-preserved pair of Model 181 wall lights by Tito Agnoli for O-Luce, dating from 1956.

 

Among Agnoli’s most quietly accomplished designs, the Model 181 is an elegant study in proportion, movement and mechanical simplicity. The design consists of a slender painted-metal cylindrical shade mounted to a finely engineered articulated mechanism, allowing the light to be adjusted and directed with remarkable precision.

 

The sophistication of the design becomes apparent in its details. A compact articulated joint at the wall mounting allows the shade to be repositioned, while the elongated lever provides a simple yet beautifully resolved means of adjustment without the need to handle the shade itself. The result is a light that is not merely decorative, but genuinely designed around the practical requirements of illumination.

 

The present pair is particularly interesting as an early form of the Model 181, dating from the first years of production. These examples retain the uninterrupted cylindrical shade without the later ventilation openings associated with subsequent versions. The absence of these openings gives the early lamps an especially clean and architectural appearance, emphasising the purity of Agnoli’s original design.

 

The Model 181 is a documented O-Luce design, referenced in Thomas Braeuniger’s O-LUCE Catalogue Raisonné, vol. 1, p. 179.

 

What makes these lamps particularly compelling is the quality of their construction. The combination of painted metal, nickel-plated steel and exposed mechanical components is characteristic of the finest Italian lighting of the period. There is a satisfying honesty to the design: every visible element has a function, and the engineering is incorporated into the aesthetic rather than concealed from it.

 

Visually, the pair is wonderfully restrained. The tall white cylindrical shades have a distinctly architectural presence, softened by the warmth and patina of the aged fittings. The exposed adjustment mechanism adds a subtle but important note of mechanical character, giving the lamps considerably more presence than their modest dimensions might suggest.

 

The lamps have been carefully cleaned and sympathetically restored, retaining their original character and age-related patina. We have deliberately avoided over-restoration that might remove the traces of their history or make them appear newly manufactured. They retain the subtle surface character and signs of age appropriate to genuine mid-century examples.

 

For us, Agnoli’s work for O-Luce represents one of the most interesting strands of Italian post-war lighting: highly functional objects in which engineering, material and form are treated with equal importance. The Model 181 is a particularly good example of this philosophy, combining an almost austere visual language with an unexpectedly sophisticated range of movement and adjustment.

 

Pairs of early Model 181 lamps are rarely encountered, and examples dating from the first years of production are especially desirable. This pair offers the opportunity to acquire an unusually early and beautifully preserved example of Tito Agnoli’s work for O-Luce, with the added distinction of retaining the clean, uninterrupted shade of the early production version.

 

Viewing is welcomed at our West London showroom. High-resolution photographs, detailed condition reports and video inspections are available upon request. We offer local, national and international shipping.

 

Please contact us for further information or to arrange a private viewing.

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